2025 Music Wrap-Up
Jan. 2nd, 2026 08:38 amI feel like this summary could just be a copy-paste from last year: more instrumental music, less pulled from the classics I missed in my youth. A lot of musicians I love had new albums this year, so I spent a fair amount of time listening to very current music.
I had a lot of weird one-offs, often found via poking around on Bandcamp. I often found that while I liked them enough to buy and listen to the whole thing, the albums did not tend to stick for me. That's okay--I know I sometimes come back to music years later and rediscover it when I'm ready. I don't mind.
Top album of the year was, without question, Djo's The Crux. If other albums this year lacked in stickiness, it's because this album was goddamn flypaper. The longer I listened, the more I got out of it, circling back around to tracks that didn't immediately grab me and suddenly finding something to love.
New albums* heard: 64--down yet again, I had fewer multi-album weeks, in part because I bought fewer short/light albums that needed to be bundled to make enough for a week's listening
*(discretely purchased music items, includes singles, EPs, and other short forms along with “full” albums)
Contributing artists: 54 (not counting multi-artist compilations)--same as last year
Oldest album: An Evening Wasted with Tom Lehrer, 1972
Newest album: Through This Fire Across From Peter Balkan (The Mountain Goats, November 7, 2025)
Top artists by albums: Louie Zong continues to lead in this category with four albums, but this wasn't a big year for me to dive deep into the back catalogs
Most repeated albums: Even In Arcadia (Sleep Token), This Wasn’t Meant For You Anyway (Lola Young), The Crux (Djo), Coydog (Carter Vail)
Tracks of note: Stunner (Carter Vail), Nervous Dancer (Louie Zong), Anoana (Heilung), We Will All Go Together When We Go (Tom Lehrer), March of Cambreadth (Alexander James Adams), Charlie's Garden (Djo), Alibi (Hurray For The Riff Raff), Factories In Heaven (The Scoffs), SCRAP HEAP (Louie Zong)




