[personal profile] scarla
So, honestly, I've spent more time thinking about what it means to be queer over the last year and a half than I had done in a long time. I started reaching out to the local queer community (without much success, because I'm still pretty terrible at meeting new people) and I've started engaging more in discussions of the trending topics of the times.

It's interesting for me to look at these topics now and contrast what I see with how things looked when I was a confused pre-teen or adolescent. As a child I had outside influences primarily telling me that everything queer is bad, so most of my focus was on trying to reconcile why I was different, and what that meant with regards to my relations or interactions with all the other people of the world who despised even the idea of it. I thought I was gay until I hit puberty. It's always made me laugh but I thought I was gay because I knew I was different, and I was the only person who though being gay wasn't a twisted backwards thing to be, so I figured that meant I was gay. I didn't have even 1 queer role model in my actual life, so I didn't have extensive knowledge of the rainbow of queerness and what it contains.

Also, unlike other girls, I didn't really have any desire to have a boyfriend. But eventually something (or someone) struck me the right way and suddenly, I didn't think I was gay anymore. I didn't know a lot about being gay, but I knew (or thought I knew) that I was a girl, and I thought gay girls liked other girls... NOT BOYS! And because I'd started crushing on boys/males, I though "well... I guess I'm a straight person."

It was a couple years later that I would read in an article about a musician/singer that they didn't identify as either gay or straight. The idea was quite fascinating. The term bisexual wasn't in the article but came into my vocabulary around then. I didn't use it for myself at this point though, I still thought I was straight from the previous revelation. It wasn't until I developed a serious crush on a female that I began to apply it to myself. And it was a solid 6 months into the crush before I could admit to myself and understand that's what it was. So I'd figured it out. I was bi.

But oh... I didn't really seem like this fit right either. For the most part I chocked it up to the stereotypes about bisexuals and stupid preconceived ideas people had that I didn't fit into. But it seemed like some people did fit these notions and I certainly didn't. I just didn't know what to make of it all. I'd be out and proud in circles of exclusively queer people or freely non-judgmental spaces (like college), but in other context I'd mostly only tell people if I were hoping to have a romantic relationship with them (and that was pretty rare). It usually didn't go great either. I've had women that won't date me because I'm honest about being not strictly lesbian and I've had guys who just think it's a cute idea that they don't even take seriously.

Adding into all this, it seems notable that I have always been drawn to genderqueers, androgynous and trans people. Again this was never something I thought applied to me, because I wasn't super butch, I don't have any body dysphoria, so I'm obviously not trans, and though I wasn't very feminine, I thought I was feminine enough people wouldn't accept me as part of the genderqueer crowd. But there again, that's just me believing, for various reasons, that I'm not queer enough.

So now I'm a single middle-aged queer person and about a minute before the world shut down due to a global pandemic, I decided I wanted to try dating again. And of course when I log on to a queer dating app I feel bombarded with young people's lingo and terms for who's what and who's looking for what, so I start learning terms to describe me to potential suitors. After almost 2 years of thinking it over, I'm still not sure what to say.

OK This is where I'm finally gonna bring it back to how I used to see things and what I see now. I supposed I've always believed (or wanted to believe when people insisted otherwise) that gender is a spectrum. As I got used to this idea over the years, I sort of grew to imagine that everyone else knew deep down that it was true, that most people simply say that it is binary because of conditioning (brainwashing).

And now, I actually don't think that's true anymore. I think somehow most of those people believe gender is a binary thing because that's their actual reality, and I actually am different from them. The good news here, obviously, is that I'm not alone. There's other enbies out in the world and they're coming out of the woodwork. And the mathematician in me likes to make note of the fact that 1s and 0s still exist in non-binary systems, they just aren't the only ones that exist. So this is me. But I'm a still girl... sort of. A non-binary girl. And I'm not exactly bi-sexual. OK the kids these days say pansexual. But I think I still prefer my own term (which never caught on) gender-indiscriminate or equal-opportunity dater. Because that's been the root of all this. I just don't fuck with gender. Yours or mine. We can be friends, or maybe lovers, or maybe not either, but none of that will be driven by gender for me. Unless maybe you're delightfully genderqueer... then I'm fairly likely to take a liking to you, but that might just be me yearning for my own kind.
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
[personal profile] capri0mni
(This is cross-posted from [personal profile] capri0mni)

Preface:

Not much more to say, here, except: Besides giving me a chance to write a more believable (to me) "And they fell in love, and were happy ever after" resolution, this exercise also gave me a chance to write more believable consequences for what happens when the singular head of government is thrown out of commission by a magic spell for a generation (or four -- I'm still haunted by the implications of Sleeping Beauty).

Also, in the original, we never know who "Iron Heinrich" is, or why he has that nickname, or why he shares the status of titular character, until the penultimate full paragraph of the story -- at the very beginning of a very ordinary journey to the king's palace, at a very ordinary pace. What could be a big, dramatic, moment is, instead, lumped in with the denouement.

I realized it would make more sense, from the characters' own point of view, if that moment came at the end of a long, extraordinary, journey (which also gave the two people at the center of the story actual time to become emotionally closer)

Where we left off:
When Heinrich came, at last, to say that it was time to go, the linden branch was no longer in his buttonhole. And the slightest of smiles passed between master and servant.


Under the Linden Tree, Part 5/5 (1,529 words) )

--End--

Here's the paragraph that inspired much of this story, from the Wikipedia article Lime Tree (aka Linden Tree) in Culture > Germanic Mythology (Which I looked up because I was curious as to why the Linden Tree was called out by name in my Grimm source):
Originally, local communities assembled not only to celebrate and dance under a linden tree, but to hold their judicial thing meetings there in order to restore justice and peace. It was believed that the tree would help unearth the truth. Thus the tree became associated with jurisprudence even after Christianization, such as in the case of the Gerichtslinde, and verdicts in rural Germany were frequently returned sub tilia (Unter der linden) until the Age of Enlightenment.


And from the Wikipedia article on the Lime (Linden) Tree, I learned that they can live up to 2,000 years old (!), and can be propagated by cuttings.

So, I kinda had to make those things into plot points, didn't I?

BTW, Here's a illustration of a mature Linden from 1840.
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
[personal profile] capri0mni
(Cross-Posted to [personal profile] capri0mni)

Preface:

In that same, later, reread of the Grimm "House and Children's Tale" #1, where it dawned on me that the princess is both child-coded and objectified, I also noticed that (other than what the enchanted king says at the end) There. Is. No. Witch. in the Story. And, furthermore, what actually breaks the spell is access to human spaces, which the king cannot get for himself without help. It therefore works, for me, as a clear disability analog.

So, in this retelling, I've decided to make the lack of a witch explicit, to get away from the trope that Disability is always a punishment, or that there's always some specific person or event to "Blame" for it (hello, anti-vaxxers, I'm looking at you, and the toxic positivity people, you, too).

Where we left off:
No sooner were they back in the carriage than the coachman cracked his whip, and they sped off at an almost unnatural speed, the horses in full gallop before they even had taken three strides at a trot. The landscape outside the windows was nothing but a blur.

"Heinrich!" the young king called, "Must you drive with such haste?"

"I'm sorry, Your Majesty," his servant called back. "But if we do not pass through the Capital's gate by sunset, all is lost."


Under the Linden Tree, Part 4/5 (1,492 words) )

(Back to part 3)
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
[personal profile] capri0mni
(This post is cross-posted to [community profile] queerly_beloved)

Preface:

The Grimm tale I'm using as my source material for this retelling comes to a quick end after the king regains his human shape, and the princess is instantly happy to marry him at that point (even though she was filled with murderous rage less than a minute before). And from my aromantic/asexual perspective (and, to be fair, probably, my expectations as a reader of modern fiction), that's skipping past the most interesting part:

How do you get from "stranger" to "you disgust me!" to "maybe you're lovable, after all," when good looks are not enough to spark an initial attraction?

So this is the point where the story starts to veer off the most from the original, as I try to plot and then connect all the dots.

I made a conscious decision to use the archaic English You/Thou distinction, and not just because it's old-timey sounding. "You" (or Ye) is plural, and it's also used for people of higher rank than the speaker (it's the second person pronoun version of the Royal "We"). "Thou" is singular, and used for people of equal or lower rank -- and it's also used as term of endearment for loved ones and family. So it can be either an insult or an attempt at kindness, depending on who is saying it to whom.

And that got me thinking of how the youngest princess would have heard the differences between You and Thou. As a the daughter of the king, probably all of the courtiers, and servants in court (except for her immediately family) would have addressed her with "You." And she would have used "Thou" with everyone except visiting monarchs. But because she's the youngest daughter, she also knows that realpolitik means her father could marry her off to a baron or a knight if a treaty required it. So her sense of authority over her own life is wobbly.

(She uses "you" with the frog from the very beginning, because she realizes that magic is in play, there may be fae involved, and it's better to be safe than sorry)

Where we left off:
Her lady-in-waiting opened the door and poked her head around. "Good morning, Your Highness--" Her eyebrows rose barely a hair, and she (almost invisibly) mouthed: "frog?"

The princess bit her lip to keep from laughing at the absurdity. "Good morning, Margarete. Is breakfast ready?"

"Yes, Your Highness. His Majesty waits on you." She curtsied quickly and backed out the door.

The young king tugged at his sash, smoothing wrinkles that weren't there. "Well," he said, "they're expecting us, though probably not like this." He offered her his arm.

After a moment's hesitation, she took it.


Under the Linden Tree, Part 3 (1,466 words) )

(Back to Part 2)
capri0mni: A black Skull & Crossbones with the Online Disability Pride Flag as a background (Default)
[personal profile] capri0mni
(This post is cross-posted to [personal profile] capri0mni)

Preface:

Back in 2012, when I was first exploring the cultural link between concepts of the monstrous, and cultural attitudes toward disability (and queerness), [personal profile] spiralsheep (no longer online) pointed me to a Master's thesis: "When a Knight meets a Dragon Maiden:
Human Identity and the Monstrous Animal Other," by Lydia Zeldenrust, and published online at Academia.Edu. Quote:
In general, the dragon maidens can be divided into two groups: the first is a rather large group in which the dragon maiden is waiting to be freed from her spell by means of a Perilous Kiss and then turns back into a human, the second group deals with a woman who turns into a half-dragon or serpent at specific times and is not to be seen by her husband in this state, but when this does happen she eventually becomes the animal.

And this was living in my head for several years before it clicked that all of the royal frog-man stories are basically gender-flipped versions of the Dragon Maiden tales.

The whole point of these encounters, according to Zeldenrust, was for the knight to recognize the human that is trapped inside the dragon form, and not to be confused into thinking its an actual dragon that needs to be killed. This is how they prove their right to the Divinely Ordained Social Privilege, somewhere between kings and angels.

(When I read that, all those encounters I'd had, where normate people said: "Oh, but I don't see you as Disabled, I see you as Human!" -- while I'm sitting in front of them in my wheelchair -- suddenly made sense: They're all white-knight wannabes, reassuring themselves that they've earned their normate privileges)

The problem with the Grimm Brothers' version of the story, though, is that the princess never recognizes the frog king as human until after he loses his frog-shaped body, and therefore (according to chivalric tradition) doesn't deserve her happy ending.

So I tweaked the spell, just a bit, so that it's reciprocity between human beings that breaks the spell, rather than simply sharing physical space with the most beautiful person ever.

Where we left off:
As if struck by a sudden thought, he turned to the frog tucked under the princess's arm, and said, with a grand sweep of his arm: "It would be a great honor to me, Sir Frog, if you would stay, and be my daughter's special guest at dinner, tonight."

Her two elder sisters, bringing up the rear of their little parade, giggled behind their hands.

The frog shifted his weight under her arm and opened his mouth as if to speak. But in the end, said nothing.

Galantha was ready to object on his behalf, and her own. But her father looked her in the eye with a frown, daring her to disobey his wishes a second time that day.

She dropped her gaze to the floor. "Yes. Of course it would be my honor. Please, be my guest."

No sooner were those words out of her mouth than the strange, horrid, feeling strengthened once more, spreading from the frog like ink from a tipped bottle. She fought to keep from hurling him to the floor that very instant.


'Under the Linden Tree' )

(Back to Part One)
soc_puppet: The original Gilbert Baker pride flag merged with the Philly pride flag, rotated ninety degrees, and ending in the Queer pride chevron at the bottom (Queerly Beloved)
[personal profile] soc_puppet
Out today in paperback, a trio of short stories by Shira Glassman: Knit One, Girl Two, Fearless, and Your Name Is Love!

Knit One, Girl Two:
Small-batch independent yarn dyer Clara Ziegler is eager to brainstorm new color combinations--if only she could come up with ideas she likes as much as last time! When she sees Danielle Solomon's paintings of Florida wildlife by chance at a neighborhood gallery, she finds her source of inspiration. Outspoken, passionate, and complicated, Danielle herself soon proves even more captivating than her artwork...

Fearless:
Lana Novak hasn’t played violin in over twenty years, her musical life these days confined to being a devoted band mom to her clarinet whiz daughter Robin. She didn’t think she could get back into it after this long, but Melanie Feinberg, the outgoing, enthusiastic, Jewish, and very cute butch orchestra director from Robin’s school, has other ideas.

Your Name Is Love
Energetic royal guard Hadar takes her artist wife Halleli on a scavenger hunt around the city to cure her artist’s block about the lesbian graphic novel she’s supposed to make for the queen.



Longtime followers may remember some of my previous giveaways, which included copies of Knit One, Girl Two, and Tales From Perach, a short story collection that Your Name Is Love originally appeared in. While Your Name Is Love was already available in paperback, this is the first time that Knit One, Girl Two and Fearless are appearing in physical form! But if electronic editions are more your jam, you can also get those from Amazon or Shira's Gumroad account (where Shira will get a bigger kickback than Amazon gives her).
soc_puppet: The original Gilbert Baker pride flag merged with the Philly pride flag, rotated ninety degrees, and ending in the Queer pride chevron at the bottom (Queerly Beloved)
[personal profile] soc_puppet
Phew, okay! I've got our community tags up. Or, well, as many as I can think of, at any rate. I'm sure there's a bunch I missed, and fandom tags in particular I'll have to add as we go.

Anyone who wants to is welcome to look over the tag list and request that I add something to it, especially if it's something I missed. This was just everything I could come up with off the top of my head, and while it covers a lot of stuff, I know I'm not perfect and didn't think of everything or everyone. Please also let me know if you spot any spelling mistakes or typos; I'm still not entirely used to the keyboard on my new laptop, which will account for some slipups, but definitely not all of them.

Let's see here, what else. Oh! CW is short for Content Warning, and warns for types of content that people might not want to deal with or, in the case of NSFW (literally: Not Safe For Work), is the type of thing they might get in trouble for having a record of on a work computer. Media is for reviews and shoutouts about various forms of media that have representation of us, good and bad. Everything else should be fairly self-explanatory, I think.

Since Dreamwidth has a tag limit of 1000 for free accounts (1500 for paid, 2000 for premium paid), there may come a time when I have to combine some lesser-used tags in order to preserve some more-used tags. We've still got close to 900 tags to go before reaching the free account limit, though, so I'm pretty sure we'll be okay for a while.

Thanks to everyone who's joined so far, and if you have any feedback, I would be very interested in it!

Edit: It looks like I have tags hidden somehow at the moment? Lemme go take a look around, see how I need to fix that.

Edit 2: Apparently all unused tags were marked as "private" in the tag management thing. There's probably a better way to fix that, but it's late and I'm tired, so my current workaround is: Literally tag this post with every single tag available. (For the record, I tried doing that and then untagging everything, but the tags went right back to being private, so that shortcut is a no-go.)
Page generated Jun. 15th, 2025 04:24 am
Powered by Dreamwidth Studios